One of the common themes of reviews of Greyhound is the lack of character development. This contains potential spoilers while describing a different perspective on the characters in the film.
AppleTV+, in association with Sony Pictures, released Greyhound last Friday. While some might assume the setting, a US Navy destroyer escorting a convoy to England in World War II, might not be the most gripping, the movie tells a tense, suspenseful story, packed into 90 minutes of tension. This is meant to be a spoiler-free review.
A man was born, he lived and he died. There was typically much, much more to the story than that, but for some, that is the extent of their lives. The significance, the value, the meaning, all depends on point of view. Ted didn’t have a very high opinion about his point of view, at least not at the moment.
“I was expecting this to change my life,” said the man as he took the seat across from me. The business class lounge in Frankfurt was, as always, busy, so you took whatever you could get. “I’m so amazed how little for me has changed.”
This piece is what I call a vignette, something not long enough or fleshed out sufficiently to be considered a short story. I use these as writing experiments, allowing me to play with mood, setting, action, dialog, etc. This is the first of several that I will be publishing here over time. I hope you enjoy it.
It was a dark and stormy night. Wind howled in the trees and a shutter banged relentlessly against the side of the house like a half-crazed lunatic trying to get in. Lightning would split the sky like a white hot knife, or backlight the clouds with no warning. Thunder would rattle and shake the windows, doors, clapboard, timbers as it rolled and boiled through the air. This was not a night to be outside. This was a night to be in another town, another country, another continent.